Subscribe to Intelligent Life

RECENT ARTICLES


LITERATURE
Zilahy's "The Last Window-Giraffe"
Writing workshops
Herodotus and the oracle
"Things Fall Apart"
Book critics we like
Memoirs of a nobody
Thomas Bernhard
Herodotus and bad fate
Norman Rush's "Mortals"
Herodotus and retrospection
Grace Paley's "Fidelity"
Herodotus and women
Norman Mailer
Reading Herodotus

MUSIC
My "Rock Band" band
Orchestral pleasures in Abu Dhabi
Sparks perform everything
Rock critics we like
Letting Bach breathe (audio)
Bryce Morrison on Hattogate
Music as installation art
The Joyce Hatto affair
The autumn IL playlist

FINE & PERFORMING ARTS
Bloomsbury ballerina
Hiccup in the Russian art market
Russians come to London
William Scott
Contemporary African art
In praise of short plays
Horns of plenty
Niall Hobhouse's collection
Louise Bourgeois chills
Larry Gagosian
Two Gauguins
New York's Armory Show
Two-headed bust at Bonham's
"Design and the Elastic Mind"

FILM
Tribeca Film Festival
Watching "Shine A Light"
Martin Sheen for president
Smoking on screen
Film critics we like
East Germany on screen
I love the Oscars
Scott Burns
British Council film festival
"The Man from Earth"
David Lynch
"Yiddish Theatre, a Love Story"
"La Chinoise"
"Helvetica"

FOOD & DRINK
Become a Master of Wine
Goodbye Peroni, hello Pinot Noir
Tokyo food
The people's lobster
The mission: soufflé
Australia's wine country
Well-tempered chocolatiers
Sipping Cos D'Estournel
It's offal good
Tasting Graves wines
Chateau Les Crayeres
Where the cabbies eat
Reading about wine
Wine and me

ISSUES & IDEAS
Great bores of yore
Yes, we are bit boring
Bright old things, Betty Stevens
Are men boring?
Bright old things, Diana Athill
Bright old things, Leo Abse
Apartheid in court
Decision making
A sceptic's pilgrimage
The BBC's decline
Freedom from the Olympics
High-end prostitution
The Diana Inquest

PHILANTHROPY
In pursuit of community
Robin Hood and the ARK
Your money or your life?
Donating to Afghanistan
One cause, or many?
Embedded giving
Giving for scholarship
Helping a beggar
Children and wealth
New Philanthropy Capital

PLACES
Ireland and the EU
A Mauritania diary
Nordic classrooms
Total eclipse
Flea markets
Monks and tigers in Sri Lanka
Jaffa's vanished glory
Gardens of eden
Walking all over the world
Mexican notes
McCain in Maryland
A Mali holiday
Living in Babel
Down in the Delta
My house in Marrakech

SPORT
EURO 2008
World's sexiest brakes
Olympic memorabilia
Watch cricket
Marathon training
Remembering Munich
Against the London Olympics
American exceptionalism
Rugby World Cup 2007 (ii)
Rugby World Cup 2007 (i)

TECHNOLOGY
Robots get cuddly
Redesigning the dinosaur
Interactive clothing
David Weinberger
Ned Kahn
Swarming robots

MISCELLANY
The summer issue is here
Shocking pink
TV, theatre, pop culture critics
Are you being followed?
The spring issue is here
Sex diaries of Keynes
New York cabs
Benjamin Franklin
Hitler's digestion
Life as a handbag
Stroke me, I'm a primate
The death of alpha-blogging
Swearing and Steven Pinker
Castration and sex

AUSTRALIA'S WINE COUNTRY

  • Food & Drink

SIPPING IN THE YARRA VALLEY | April 8th 2008

Allerina & Glen MacLarty/Flickr

A day of reckoning has come to Australia's wine market, writes Robert Milliken. After two years of bust, vintners are struggling. He heads to the Yarra Valley, where some of the best wine is created, to see how the wineries are faring ...

From Economist.com*

I am trying to spy a platypus, an elusive Australian aquatic mammal said to reside in the Yarra River, with little success. I'm in the Yarra Valley, a stunningly beautiful region about an hour's drive north of Melbourne, for a family friend's wedding (the area has grown increasingly popular on the wedding circuit). But for most visitors, native wildlife and marriages seem to come second to the Yarra Valley's finest and most enduring production: wine.

Wine from the Yarra Valley has been a star performer in a burgeoning industry. Australian wine's export-revenues have quadrupled since 1997; Britain, America and Canada-the most competitive countries for wine sales--are Australia's three top customers. But as with the 19th-century gold rush (which was centred just north of Yarra), and more recent Australian mining booms, a day of reckoning has come.

Spurred by a seemingly endless demand for Australian wine, new and unlikely players rushed to plant more grapes. By 2006 the market was saturated, grape prices had fallen, and much of the wine could only be sold at the cheap end of the world's bulk-wine market (if at all). For a country that wanted to challenge New Zealand and California for the New World's viticulture crown, the last two years have been disastrous.

As the industry ponders how to recapture its reputation for quality rather than quantity, my work is taking me through some of Australia's leading wine regions. I am going both to taste the wines and to see how their vintners are faring.

I am more a wine lover than a wine expert (perhaps not unusual for a journalist). I understand the difference between an excellent wine and a bad one, but terms like chocolate, strawberry and red-currant, when used to describe a wine's palate, mean little to me. As a journalist, I am most interested in the stories of the people who plant the grapes and turn them into wine.

Yarra Valley wineries account for just 2% of Australia's grapes, but they produce some of the country's best wine.

Ahead of the Saturday evening wedding in a giant 1860s barn (now called Stones of the Yarra Valley) I join my sister for lunch at Domaine Chandon, one of the valley's showpieces, and one of only four wineries Moet & Chandon have established outside France.

The company chose the Yarra Valley over the bigger Australian wine regions in South Australia and New South Wales for its cool climate and the two grapes for which it is renowned: chardonnay and pinot noir, the core varietals for champagne and other sparkling wines. Like Moet & Chandon's other wineries in California, Brazil and Argentina, this one was initially set up for the local market, but, on the back of strong sales, Yarra Valley's Chandon bubbly is now exported as well.

Chandon's cavernous restaurant is buzzing. The barbecued seafood accompanied by a glass of sparkling wine, and the view across sun-kissed vineyards to the mountains surrounding the valley, are exquisite. It reminds me how recently Australia became a wine country.

In my rural Australian childhood, most adults drank whiskey and beer. Grape has replaced grain over the past 30 years thanks largely to the European immigrants who started pouring into Australia after the second world war, changing tastes in both food and wine.

The De Bortoli family (originally from Italy) own Australia's sixth-biggest wine company in an industry gradually being absorbed by conglomerates. Steve Webber, who established the De Bortolis' Yarra Valley winery, is one of Australia's leading winemakers; these days he rises at 3am to oversee the harvest.

I ask Steve where the industry's future lies after its recent distress. "Australian wines used to be seen as very safe," he replies. "But we can no longer compete on price alone. We have to be more clever, and make more interesting wines."

This may also mean re-thinking the standard Australian formula of blending grapes from different regions, and looking instead to the French idea (often derided among Australian winemakers) of terroir: that a wine's character ought to reflect the soil and climate of one particular place.

I wonder if other winemakers on my journey will agree.

(*This is the first instalment of a diary on Australia's wine country, published on Economist.com. Robert Milliken is the Australia correspondent for The Economist.)

  • Add new comment
  • Printer-friendly version

FROM THE MAGAZINE



Our Summer 2008 issue is on newsstands now


Read the complete text of the Spring 2008 edition


Read the complete text of the Winter 2007 edition


Read the complete text of the Autumn 2007 edition

RECENT COMMENTS

  • Have you found what you're looking for?
  • Please make it stop!
  • Yes, quite often when I'm in the queue to pick up the munchkins,
  • Agreed Adelle, just like any
  • Humor differences
  • But of course
  • Shakespeare thinking -- rhetorically
  • No Henry Owings?! All these
  • Misinterpreting Middlemarch
  • Laughing is highest achivement of mankind.


RSS: Fullposts

Intelligent Life | Copyright © The Economist Newspaper Limited 2007 | All rights reserved | Disclaimer | Terms and conditions | Intelligent Life magazine FAQs